surviving the streets

I never expected this theme to run over three posts, but as I considered my self-posed questions, the stream of consciousness flowed and could so easily have continued to more. But I’m going to close with this post where I find myself wondering if anything I do can be considered “street”.

As someone who finds it exceptionally hard to photograph people, even people I know, street photography, in its widely accepted guise as (mostly) candid observations of people in public situations, is perhaps a challenge too far. So, back to my earlier question: how do you define street photography? Can I remain close to my people-free comfort zone and still be a street photographer? Or must I step outside my comfort zone and take a more people based approach?

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hitting the streets

Street photography… It’s a genre that’s become very popular. Search “street photography” in youTube and you’ll be spoilt for choice. The good, the bad and the ugly of street photography will be paraded before you to delight and disgust in equal measure, but it’s a genre that I confess to being a little perplexed by. Now, forgive me for lapsing into a middle-aged film-shooter stereotype, but I grew up with film photography. I’ve probably devoured thousands of magazine articles over the years, and have been fascinated by the work of Henri Cartier-Bresson, Tony Ray-Jones, Elliott Erwitt, Fan Ho, and many others… and I don’t think I ever heard any of them referred to as a “street photographer”. Reportage, yes… Documentary, yes… but street, no… not ever. At least, not until recently, when they may have been retrospectively labelled thus.

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